After reading this earlier, I wonder why I bother. I've never understood the point behind deliberately bad painting. The detached cynicism of the "technique," if you can call it that, is distasteful in the extreme. The insider assumptions, the contempt for skill, the mistrust of depth are symptomatic of what is worst in our society.
On the other hand, here am I, wasting my sweetness in the desert air. On the gripping hand, am I just at the other end of the nothing-important-to-say spectrum? At any rate, I sure can draw. Here's yesterday's session. The model is N. Painfully beautiful face and a lovely body, but oddly shadowless; she evinces no personality and is extremely difficult to draw some days. I call her the Little Mermaid, because of her poses, especially her favorite, which emulates the Copenhagen statue.
4 years ago