Or better put, I can lay down on paper what I see.
Which is really what accurate draftsmanship is-- the ability to draw what you see, rather than what you know. It's why children's drawings of people always show the eyes at the top of the head, instead of in the middle of the face-- I know that the eyes are on top, so that's where I draw them. I can actually remember realizing that eyes are at the top of the face but in the middle of the head at about the age of 10 and trying to explain it to the art teacher at my grade school, who utterly dismissed this revelation. She didn't disagree, she just made me feel stupid for figuring it out. (This is why children hate art class.)
I've never drawn "anything." I've only ever drawn figures from life. I'm not good at portraits-- my facial recognition software is faulty and I find it difficult to make portraits look like the person in more than a superficial way. Ditto with illustration-- scenes with figures and perspective are extremely difficult for me, not least because my figures come out cartoonish, and I have difficulty placing them in context. Perhaps I need to amend the title from "I can draw anything" to "I can draw anything you put in front of me." A complex composition like an illustration is not in front of me without elaborate preparation.
Of course I used to feel that way about any non-figure effort. I don't draw landscapes, or still lifes. That's "hard."
Except, it isn't. One of the things a daily drawing has taught me is that I really can draw the holy hell out of anything you put in front of me. And the drawings are getting better as I develop the habit of looking at the thing I'm drawing.
Alaska's Roadside Glaciers
1 year ago